Around 1145 the Southern Song dynasty official Lou Shu inaugurated a genre known as pictures of tilling and weaving through the creation of a pair of paintings that depicted farming families cultivating grain and weaving silk cloth. Each pain ting scroll was devoted to illustrating one of forty-five discrete procedures employed in these processes, and each step was accompanied by a poem. The Pictures of Tilling and Weaving document scientific techniques of agrarian labor and provide commentary on Southern Song society and politics.
The original Pictures as designed by Lou Shu are lost, but this book through consideration of extant Southern Song and Yuan paintings offers a reconstruction of the earliest imagery. In reclaiming the original format of the Pictures, Roslyn Lee Hammers situates the paintings as works of art that engage with Song dynasty artistic practices as well as document the state of Song technology. She argues that these works participated in debates on earlier Northern Song reforms and these movements' validity for Southern Song society. Central to this argument is an analysis of the poems to the procedures of the Pictures of Tilling and Weaving. These poems, which have received little attention in previous scholarship on the Pictures, are translated in their entirety for the first time in a non-Asian language and are systematically analyzed to demonstrate the larger philosophical and political messages of the entire Pictures of Tilling and Weaving project. After establishing the initial import of the Pictures as conceived by Lou Shu, the book considers the appeal of the genre throughout the Song and Yuan dynasties, when the pain tings and poems were reconfigured by emperors, scholar-officials, and other elite members of society, deployed to comment on the legitimacy of conflicting political ideologies and on historical circumstances.
作者簡介
Roslyn Lee Hammers
Roslyn Lee Hammers is assistant professor of fine arts at the University of Hong Kong.
Pictures of Tilling and Weaving是本不錯的藝術設計﹐昨天下單今天就收到,開心^^,就是我們的主角
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,內容的每一個細節卻都令人驚艷,真的不錯,內容精彩!
好看的藝術設計Pictures of Tilling and Weaving全書的內容大意
看完心情愉快, 正能量滿滿,總會覺得彷彿一伸出雙手便能擁抱全世界!
Pictures of Tilling and Weaving總而言之,它的評價很高,誠意推薦給大家看喔!
Pictures of Tilling and Weaving曾在博客來 網路書店造成搶購熱潮。
作者: Roslyn Lee Hammers
新功能介紹- 出版社:香港大學出版社
新功能介紹 - 出版日期:2011/09/01
- 語言:繁體中文
最新與最多的藝術設計,每日都有特價商品推薦是網路書店購書最佳選擇!
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商品訊息功能:
CP值爆錶驚喜
作者: Roslyn Lee Hammers
新功能介紹- 出版社:香港大學出版社
新功能介紹 - 出版日期:2011/09/01
- 語言:繁體中文
Around 1145 the Southern Song dynasty official Lou Shu inaugurated a genre known as pictures of tilling and weaving through the creation of a pair of paintings that depicted farming families cultivating grain and weaving silk cloth. Each pain ting scroll was devoted to illustrating one of forty-five discrete procedures employed in these processes, and each step was accompanied by a poem. The Pictures of Tilling and Weaving document scientific techniques of agrarian labor and provide commentary on Southern Song society and politics.
The original Pictures as designed by Lou Shu are lost, but this book through consideration of extant Southern Song and Yuan paintings offers a reconstruction of the earliest imagery. In reclaiming the original format of the Pictures, Roslyn Lee Hammers situates the paintings as works of art that engage with Song dynasty artistic practices as well as document the state of Song technology. She argues that these works participated in debates on earlier Northern Song reforms and these movements' validity for Southern Song society. Central to this argument is an analysis of the poems to the procedures of the Pictures of Tilling and Weaving. These poems, which have received little attention in previous scholarship on the Pictures, are translated in their entirety for the first time in a non-Asian language and are systematically analyzed to demonstrate the larger philosophical and political messages of the entire Pictures of Tilling and Weaving project. After establishing the initial import of the Pictures as conceived by Lou Shu, the book considers the appeal of the genre throughout the Song and Yuan dynasties, when the pain tings and poems were reconfigured by emperors, scholar-officials, and other elite members of society, deployed to comment on the legitimacy of conflicting political ideologies and on historical circumstances.
作者簡介
Roslyn Lee Hammers
Roslyn Lee Hammers is assistant professor of fine arts at the University of Hong Kong.
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內容來自YAHOO新聞
李鴻鈞跳船挺宋 骨牌效應待觀察
旺報【記者陳筑君╱台北報導】
在親民黨主席宋楚瑜6日宣布參選總統後,國民黨立委李鴻鈞隨即表態,為全力協助宋打選戰,決定退出立委選舉,但他不會主動退黨,若國民黨要開除其黨籍,「我坦然接受」。在李鴻鈞開第一槍「退選挺宋」後,是否將造成「骨牌效應」,帶動藍營立委跳船潮,多名學者認為,這將視宋楚瑜未來氣勢而定,目前還不好說。
宋楚瑜確定再披戰袍、角逐總統大位,國民黨立院黨團書記長林德福表示,宋楚瑜投入選戰,對國民黨總統參選人洪秀柱絕對會有衝擊,建議黨中央應盡速啟動國親兩黨溝通協調機制,盼中選會正式登記前,還有轉圜空間。
就李鴻鈞「退選挺宋」,是否將造成「骨牌效應」?台師大政研所教授曲兆祥認為,李鴻鈞確實是第一塊骨牌,但後續會不會發酵,必須看宋楚瑜和洪秀柱的支持度變化,對藍營的支持者而言,最大夢魘是兩人民調相差無異且無變化,得利者自然會是蔡英文;又如果出現第二、第三塊骨牌,土崩瓦解的情況恐怕就會出現;惟他強調,一切都還在變化當中,一直要到12月底局面才會穩固下來。
台大政治系教授彭錦鵬則指出,就總統選情來看,最後確實可能出現「棄洪保宋」;立委部分,由於立委參選人和政黨的考量畢竟不同,為打贏選戰勢必會選邊站,但國民黨主席朱立倫近日已明確表態,將擔任洪秀柱競選團隊主委,並會整合力量輔選總統參選人和每一位立委,最後,參選人的性格、價值將決定大局。
除此,台大政治系教授王業立同樣表示,李鴻鈞引發的「骨牌效應」還需時間觀察。他說,李的表態多少會對其他藍營同志有影響,一旦民調顯示,宋楚瑜的支持度大幅領先洪秀柱,「骨牌效應」便無法避免,尤其某些藍營參選人現在還持觀望態度,不接受國民黨提名,這些人是否會改披橘營戰袍,確實令人關注。
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